“Lit” Pick of the week: “Slaughterhouse-Five” by Kurt Vonnegut

Courtesy of Delacorte

Radar is committed to all forms of art and entertainment and as such, will pick one book as a reading recommendation every week. This week, Radar’s “Lit” pick is “Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance of Death”  by Kurt Vonnegut.

Humankind has an affinity for war which, as depressing and disappointing as it may be, we must all learn to accept. The arts often address this burden, questioning it, even attempting to circumvent it, but few works have tackled the subject better than Kurt Vonnegut’s “Slaughterhouse-Five.” Often considered one of the greatest anti-war books published in English, Vonnegut’s seminal masterpiece contains a narrative that is better experienced than reiterated, one which betrays logic and literary structure to better convey its plethora of themes.

“Slaughterhouse-Five” takes inspiration from the bombing of Dresden, Germany during the height of World War II in 1945, an event which Vonnegut himself survived. The novel’s protagonist and unreliable narrator, one Billy Pilgrim, recounts his life story leading up to and after the bombing, taking readers on a wholly odd experience defined by post-traumatic stress and an incredible gamut of emotions; often hilarious but mostly cripplingly depressing when fully absorbed, “Slaughterhouse-Five” is mandatory fiction that tackles one of humanity’s most powerful afflictions.

Facebook Comments


  1. Agreed that this is not only one of the best war novels ever, but in my mind, one of the best novels, period. However, you refer to Billy Pilgrim as “the novel’s protagonist and unreliable narrator,” which, to me, implies that the narrative is written in Billy’s first-person. It is not. The book is written in third-person, although Vonnegut is reminding you throughout the novel that he, himself, is writing the book and was actually a witness to the events at Dresden, as described. So it’s a unique blend of first person / third person, but in no event does the narrative voice belong to Billy. That said, thanks for telling your readers about this incredibly enjoyable read.

    • Hey! You’re right, I totally overlooked that aspect. Thanks for taking the time to correct me (it’s been a while since I read it, hence that mistake) and I’m glad you appreciated this short little article 🙂